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Limited edition audio cassette
Cassette + Digital Album
Audiocassette presented in a craft paper packaging and letter-pressed cover. Coming with dried brambles in a small pergamino paper bag. Hand numbered envelopes.
“Sleet” is to be released in a limited edition of only 66 copies.
“Sleet” is a pastoral fable with a resolutely vulnerable core – a ’60s folk narrative echoing through modern classical and ambient music. Enrico Coniglio evokes the cadenced ghosts of My Home, Sinking with the aid of Natalia Drepina, Katie English, Peter Gallo, Piero Bittolo Bon and Giovanni Natoli.
The fading Morriconian memories of “Sleet” evolve through a languid structured homage to Italian songwriters, embellished by weaving flute, cello, vibraphone, duduk and drums, like a prayer for human tragedy to a deaf and distant cosmos. The story of a young virgin woman and a miraculous gift is reinterpreted amongst the cobwebs of fragmentary mellotron, orchestral samples, pads of noises and manipulated field recordings.
Lovingly reel-to-reel mastered by Ian Hawgood, the album unspools its vintage heart from an audiocassette presented in craft paper and letter-pressed cover designed by Giacomo Vianello and realized by Marco Brunello at Cartiera Clandestina.
[Charlie Sage, Fluid Audio]
credits
released May 17, 2015
Enrico Coniglio, guitars, electric organ, clarinet duduk, tapes and vinyls
Piero Bittolo Bon, flute
Natalia Drepina, vocals and noises
Katie English, cello
Peter Paul Gallo, vibraphone
Giovanni Natoli, drums
Art direction and letterpress by Giacomo Vianello
Packaging by Cartiera Clandestina, Carpenedo - Venice, Italy
Mastering by Ian Hawgood
All tracks written, arranged and produced by Enrico Coniglio on 2014
A labour of love...is what comes to mind each time I listen to this entire album. Although it’s a double album, it surprises me with each spin that it feels to me as if it’s a single album, it’s thát amazingly good... ambient at its finest, created with passion and feel, absolute must-have.... Berkdrums
The cover art inspired me to go alone in the park, lay down under a big tree, and get immersed in this ethereal ambient, watching the cloudy cold sky through its late november naked branches. And yes, the soundscape seems bigger than if listened in the living room. BVCVLEI
Moody and moving, Good Good Blood’s “Son of a Gun” has a richness and breadth that belies its home-recording roots. Bandcamp New & Notable Oct 30, 2017
I absolutely love this album from start to finish. I'm lost for words, I really am. Thank you George for the wonderful physical CD, and to Gray Acres for producing the stunning music on it. nathan banbury